BRAD MEHLDAU: LARGO  
       
Largo was recorded in 2001 and is the first record of Mehldau’s that departs from either the piano trio or solo format. It can be seen as the culmination of musical experiences that he gathered while living in Los Angeles, most notably the music he heard at Largo, a club in Hollywood he went to regularly and pays tribute to in the title of the record.

Mehldau says, “I heard a lot of terrific singer-songwriters there for the first time – people like Rufus Wainright, Fiona Apple, Elliot Smith and Aimee Mann. I got re-introduced to how beautiful a good pop song can be through hearing them. Its depth is more about pairing something down, chiseling it into a strong, succinct statement – very different than jazz, which for me is often about going out on a limb and staying there.” Jon Brion, who has worked with those musicians variously as a sideman, producer, or songwriting collaborator, made a strong impression on Mehldau in his weekly engagement at Largo.

The two met there and over the next few years and developed a musical friendship that eventually resulted in ‘Largo,’ with Jon Brion producing. It is a blend of two aesthetics that happily overlap: Mehldau’s jazz improvisation and Brion’s creative, rich production. The album is wide-ranging in texture and big in scale: Woodwind or brass ensembles are on several tracks, and one feature of the record is a heavy emphasis on powerful drums – Matt Chamberlain and veteran rock master Jim Keltner are the core rhythm on most of the album, often simultaneously playing, like on the cover of ‘Paranoid Android,’ whose middle section becomes a monster rock affair.

Still, Jon Brion wisely keeps Mehldau’s piano at the center of things sonically and conceptually throughout the record; it never gets swallowed up in the mix, but hovers above and around the proceedings, occupying its own space. The opener, ‘When it Rains,’ is emblematic of the record. It combines the paired down simplicity of a pop song with the ‘out on a limb’ aesthetic of Mehldau’s improvisation. The effect on the listener is strong and directly emotional, and leaves you wanting more.

Track Listing:
When It Rains
You’re Vibing Me
Dusty McNugget
Dropjes
Paranoid Android
Franklin Avenue
Sabbath
Dear Prudence
Free Willy
Alvarado
Wave/Mother Nature’s Son
I Do

Musicians:
Brad Mehldau (piano, vibes)
Larry Grenadier (bass)
Darek 'Oles' Oleszkiewicz (bass)
Matt Chamberlain (drums)
Jorge Rossy (drums)
Jim Keltner (drums)
Justin Meldal-Johnson (bass)
Victor Indrizzo (drums & percussion)
Jon Brion (guitar, guitar synth, piano percussion) and others

Producer:
Jon Brion

   
 

Brad Mehldau: Largo
Warner Bros. Records
Released 2002

Nonesuch >
Amazon.com >
iTunes >

 
Brad Mehldau has had quite a load on his shoulders since he burst on the scene in 1994. He is the latest pianist—and perhaps the most fit—to wear the title "next Bill Evans." And in light of Mehldau's work with rhythm section Jorge Rossi and Larry Grenadier on the acclaimed Art of the Trio series, the comparison could be argued as valid.
But, all things must change, and on his latest studio album Largo, Mehldau abandons the trio format that has served him so well over the past 8 years. Mehldau teams with producer Jon Brion utilizing horns, different rhythm sections, and the studio format itself to create an interesting, moving, and for Mehldau, unusual record.
– All About Jazz
 

 

       
Copyright 2010 Brad Mehldau. All rights reserved.